Feeds:
Posts
Comments

The Audi leaps up the autostrada like Buffalo Bill´s ´water-smooth silver stallion´in e.e.cummings´poem. Or like Joseph & Mary´s donkey; because it´s going home to be taxed.

Its home is in Bayern. The route from Pisa to Munich is studded with history like stocknageln on a hiker´s staff. First, there are the war-zones. Two thousand years ago one might have seen war-elephants trudging across the top of our road and watering in the Lima, if any survived Hannibal´s crossing of both the Alps and, twenty kilometres´from here, the Val di Luce pass over the Appenines.

Seven hundred years ago the same road would have been raided by the army of Lucca, under its fearsome commander, the professional mercenary Castruccio Castracani, ´the castrator of dogs´. Castruccio had Machiavelli, no less, for a biographer, who compared him favourably with both Philip of Macedon and Scipio Africanus. Deep in the ravine below our village he had a bridge built, which is still named after him, so his army could cross the Lima, file up the other side, then filter down through the hills to attack Pistoia and Firenze.  That way he evaded being spotted from the watchtowers the Pistoians had built above Popiglio to give early warning of any advances up the road from Lucca.

One could still tramp this route from the bridge today; the line the route should take through the contours of the mountain is visible from our roof-terrace. After a pitched battle on the bridge Castruccio had the enemy commander´s head carried back to Pistoia and displayed on a pike. But Castruccio upheld the Ghibellines, the Holy Roman Emperor´s cause, and after his demise it was the Guelphs, the Papacy´s cause, who triumphed. After his demise his aristocratic family were ruined.

Sixty years ago the same stretch of road was again a no-man´s-land, between the armies on the Linea Gotica. German troops occupied Popiglio, our house (as it is now) among others, whilst the British, my father (as he is now) among others, enjoyed the rarity of hot baths on campaign, at the spa down the road at Bagni di Lucca. Present-day families in the regions of Lucca and Pistoia still sometimes speak of each other as though they lived in rival city-states with no love lost between them (though Castruccio compelled them both as Ghibelline). Few buses, even, are scheduled to run between the towns.

The sense of being channeled between clashing dualities only intensifies on crossing Shakespeare country. Here war, civil strife, dynastic rivalry and frictional relationships play themselves out in the individual’s psyche. A belt of dark stars extends through Milan (Prospero, shanghai’d Duke of), Verona (Two cross-purposed Gentlemen of; star-crossed lovers, pair of, Montague, R., Capulet, J.,), Padua (Shrew, Taming of), and Venice (humiliated Merchant of; Othello, maddened Duke of).

It is St. George’s Day, April 23rd., the anniversary of Shakespeare’s birth and death. I decide to give a miss to Verona’s fake ‘Juliet’s balcony’, crossing instead the misted causeway over to Mantua. Here Romeo, exiled from Verona and from Juliet after a fatal duelling incident, buys poison for his senseless suicide. Mantua’s Disney-perfect riverfront facade blurs to sinister mirage in the perennial fog of Lombardia. The malarial marshes around Mantua seem a more potent setting for the play than Verona. Romeo’s friend Mercutio, accidentally stabbed under Romeo’s arm in the same duel, dies cursing Romeo’s Montague family and Juliet’s Capulets, “A plague on both your houses!”. In Mantua Mercutio’s plague is palpable, all but visible. It rises with the miasma from the Po and combines with the seepage from the crypts of embittered ancestors to infect successive generations with viral vendetta. Horribly prophetic, this disease which corrupts romance as if through an open wound.

It is almost a relief to re-enter po-faced chilly human history. Trento’s bulky bleached castle in the 16th. century housed the first session of the 19th Ecumenical Council of the Roman Catholic Church. Initially intended to have been held in Mantua, the Buonconsiglia, as the tourist signposts call it, responded comprehensively to the challenge of the Protestant Reformation whilst to its credit inviting Protestants to attend and propose what they wished to see reformed; some actually did so. Since the cardinals of the church had at first altogether opposed Pope Paul III’s suggestion of a council, one supposes it was only the Pope’s personal wish which succeeded in getting Protestants represented at all. That seems especially likely in view of the fact that otherwise the council mostly attracted hardliners, and in the end it was they who were empowered by it.

The papal bull announcing the ecumenical council began: ‘Whereas we deemed it necessary that there should be one fold and one shepherd for the… flock, in order to maintain the… religion in its integrity, and to confirm within us the hope of heavenly things; the unity of the [tradition] was rent and well-nigh torn asunder by schisms, dissensions, heresies.’ I wing towards the Brenner Pass, glad as ever to adhere to a devolved religion mutating in successive generations out of non-dual visions; manifold rather than schismatic, neither dogmatic nor heretical, requiring no pontiff or primate, no imposed reforms or counter-reforms. One mountain above the pass resembles Padamsambhava’s Dorje Zahorma hat. In the Himalayas mountains of such form are always spoken of as places where Padmasambhava stayed in retreat. The Europa Bridge soars in between, a luminous thread through the generous grandiosity of the elements.

The weekend of god realm outreach work in Zürich, Tibetans at the end of their tether were being shot and beaten in Lhasa.   I specially dedicated the empowerment to those who perished, with the feeling that they were actually present in the room.   May I die for you, some time.  

The Buddha chose to be born in the human realm because it offers the clearest opportunities for recognising non-duality. In the human realm one can experience pain and pleasure simultaneously; for example, by fighting for freedom.  

Schlacht bei Kappel

Zwingli died on this battlefield, defending religious tolerance.

Zwingli was put to the sword while incapacitated by his wounds on the battlefield of kappel.

The most accomplished musician of the Reformation era, he trashed the grand organ in Zurich’s cathedral when he discovered that the music there was nothing more than “high-brow” entertainment devoid of gospel-significance. Superbly educated in Renaissance humanism (including the glories of fine art), he directed the demolition of priceless icons as soon as he saw that they were superstitiously venerated as magic. Sickened at the slaughter of Swiss youth in foreign wars, he helped mobilize military forces in defense of his native land and perished in battle himself. - Victor A. Shepherd, November 1995

Every wholeheartedness has its irony and poignancy, but irony can be both negative and positive. In a city which was a hotbed of the Reformation, today we are free to study Tibetan Buddhism. But adherence to every religion is falling. Zwingli’s city is today a refuge for exiled Tibetan Buddhists. But monasticism is newly venerated where Zwingli liberated the clergy from celibacy.

Everyone stands on the same earth, everyone arises and dissolves through the same space. Everywhere is connected with everywhere else through the metaphors of geography and history. In the human realm it seems that religious and democratic freedoms have to paid for in millions of deaths. Every people’s flag is deepest red. The toll includes our own deaths, whether in the past, the present or the future. Since we have to die anyway, may it be for others. Then we will know we gave our lives value. 

With heads uncovered swear we all/ To bear it onward till we fall

‘Buddhists put equal value on having a human mind, a human body and a human heart.   Any of them can be a point of entry into practical Buddhism.   Buddhist practice begins wherever we are, and unifies the three great facts of our existence.   We start by looking for our ordinary selves, and what we find is unlimited wisdom, active compassion, and capacity for devotion. ’
- topic of an evening talk, Innsbruck, Wednesday 23rd. April 2008
- details from Hannes Müller, hannes.ibk@gmx.at

The Barocksaal of the Carl der Große centre is named after a series of 18th.C canvases which cover the four walls from floor to ceiling, showing European aristocracy at play.

imag03651.jpgimag03641.jpg
imag03691.jpgimag03631.jpg

Delicate ceiling-mouldings and paneling, and an elegant Delft-tiled stove, no two tiles the same, complete the sense of a heritage of effortless refinement. The segue into the modern era was accomplished through a coffee-machine which resonated with all the overtones of the Gyuto choir, sleekly post-industrial in styling like the power-source of Dr. Who’s TARDIS. It was topped with a rack of transparent organ-pipes stacked with flying-saucer capsules in metallic foil, colour-coded to connote more-or-less serious grades of fuel. The paintings, the decor, with the caterers’ largesse of soft drinks, fruit and croissants, and the street outside blended easily into a continuum cheerily mimicking the god realm.

“Care for some light refreshment, my dear?”

This was easy inspiration to talk about the Buddha’s life as both king and guru of Tushita. The Buddha regularly helped the gods with meditation practice so that they could go beyond hope and fear in their struggles with the jealous gods. A modern analogy might be an aristocratic English private school having to admit the children of financiers, or Clint Eastwood as mayor of Carmel arbitrating zoning disputes, or the good ol’ boys of Augusta, Georgia reconciling themselves to the spikes of Tiger Woods prickling their shaved velvet swards. Massaging the egos of the god realm - so that they would relax – was an ideal warm-up for the Buddha, prior to negotiating between the kshatriyas and the brahmins when he took rebirth in Indian caste society.

In the god realm

The Buddha in the god realm is always shown playing a musical instrument. Why? Because the gods are so spoiled, by their apparently endless effortless spontaneous luxury and bliss, that they would be unable to connect with spiritual training unless it were presented as entertainment. Like Tiger Woods, it is only the Buddha’s skill as an entertainer which has secured him the entrée to this restricted area. The Buddha, who has ‘access all areas’, is manifesting as though he had merely been invited on a whim, as a mascot or a pet. The aristocracy cannot bear the uppity Middle-Way-classes – hence their eternal exclusion of the jealous gods.
The Buddha must be singing the blues. He is depressed, because, stage left, the gods are careering off to war, not taking a blind bit of notice of anything the Buddha has been trying to teach them. The Buddha had to go through similar disappointments with the karma of the Shakya clan later on. The gods have not yet recognised that their insecurity, in response to the porosity of their frontier with the jealous gods (which the thangka makes explicit), is a warning that they are not enlightened beings. Their kingdom is not above cyclic existence and their vastly long lives are doomed to end in tears unless they can hearken to the message the Buddha is floating on top of his divertissement.

http://www.guitarshorty.com

So the Buddha sings “AH WOKE UP DIS MAWNIN’…” (what else?)
and the gods all rotate vaguely in his direction, sigh and murmur “Whoah yeah…”
“… AH HAD JUS’ ONE THANG ON MAH MAHND…”
“Tell it, tell it like it is, Buddha…”

“When you woke up this morning everything you had was
gone. By half past ten your head was going ding-dong.
Ringing like a bell from your head down to your toes,
like a voice telling you there was something you should
know. Last night you were flying but today you’re so low
- ain’t it times like these that make you wonder if
you’ll ever know the meaning of things as they appear to
the others; wives, mothers, fathers, sisters and
brothers. Don’t you wish you didn’t function, wish you
didn’t think beyond the next paycheck and the next little
drink’ Well you do so make up your mind to go on, ‘cos
when you woke up this morning everything you had was gone.”
- from the soundtrack to ‘The Sopranos’ by Alabama 3,  eight men and a woman from Brixton, London.
http://www.alabama3.co.uk/en/general_articles/about

Springtime for Zürich. A charming reach of broad cobbled alleyways: antiques, restaurants, jewellers, galleries, rare books, bespoke furniture. The spring sun extracts a smiling confession of beige from the rainy grisaille which normally crosses the face of the city’s stones. Tourists from even more stratospherically costly locations saunter towards a late breakfast or their second cappuccino.  

Across a steep slope two foundations face off:  the city-owned seminar house named after Carl der Große (Charlemagne, who founded a church over the grave of the city’s martyrs), and the home of the less-than-papist 16th.C reformer Zwingli. 

imag0359.jpg

Zwingli’s house is just a step from his former church, the mighty Grossmünster. Suppertime on Saturday evening, we emerged after the dBang (Tantric empowerment) of Dorje Tröllö (the most violently wrathful visionary manifestation of Padmasambhava) and every bell-tower in the city was scrubbing the air with vibration; shivering every being’s rTsa-rLung system too. From the panorama point by the Grossmünster one could see almost every wanderer in the city come to a standstill for the ‘twilight barking’. Standing in front of the glorious west front of Wells cathedral many years ago, I got the impression that church bells must be good for health. Orchestral conductors tend to live to a great age. Maybe they benefit in similar ways from standing out front of such a Donner und Blitzen of harmonics. Being drenched in harmonious rhythmic bonging always feels good, even when the coiling aerial complexities of rival towers are smashing inseparably into each other with the enthusiasm of dragons mating. 

“I believe when we die, we cease to exist completely, no heavenly paradise, no promise of virgins, no nirvana, no hell. We just die and everything goes black.”

‘…everything goes black…’

How might that happen, I wonder?

If this is what happens, it means we go out of existence as if we had never existed at all. So this mind and consciousness we seem to have, they would be finite, competely dependent on the continuation of the body. Everything we think and feel would have to be mechanically-generated. Our parents produce our minds when they conceive our bodies. Their minds must have been conceived by their own parents. And so on back ad infinitum. We must be born with blank slates for minds, but these are slates which start out white and end black – in fact the opposite of slates. If they are created in a way which means ultimately uncreated, then they cannot go out of existence either. So how are they wiped when we die? By whom? Where does the dust go?

Assuming the universe is infinitely existent in time means that mind and consciousness have no first cause. And if they are without beginning they are of infinite duration, which means they do not go out of existence, even when the body dies. So they are not dependent on the body or on some kind of genetic inheritance.

I don’t know this album, is it any good?

In that case mind and consciousness – the blackboard dust – must be somehow conserved among living entities. If so, then that means our actions in life have consequences. Everything may go black, but not for ever. Maybe not for long. Something comes after the blackness, and if not for ‘us’ as we know ourselves, then for someone else who also has the sense of ‘us’ and who has to live and make the best of the consequences of ‘us’. Someone really rather like us.

If the universe is not infintely existent, then someone must have put mind and consciousness into the original creatures of the universe at its historic inception or creation. If so, then mind cannot be mechanically passed from generation to generation, because it is not inherent in beings, not theirs to create or destroy. What is theirs to create and destroy cannot be mind or consciousness. But if it is so that mind is uncreated, not ours to lose, how can that mind be destroyed when we die? It must have consequences beyond this life, connected with the alleged creator.

If mind goes black at death, the universe would supposedly continue to exist for everyone else in it who is still alive. Suppose some intergalactic virus wiped out every living being in the universe, or every living species simply lost interest in reproduction till there was no one left alive anywhere. Would the universe continue to exist although it had ‘gone black’ for every former critter in it? Matter does not, in a simple way, go out of existence, so would the material part of the universe continue to exist forever, with no one aware of it? If so, if the world continues to exist, then our former actions when we were alive – pollution, architecture, gardening, cooking – would continue to have consequences for the world even though they had no further consequences for ourselves any more, because there was no more ourselves or anyone else.

So the idea that ’everything goes black’ leads to some awkward conclusions. The universe, which is created, and subject to causes and effects, would be indestructible and continue to exist. Whereas mind which is created and mechanical would vanish. If on the other hand mind is uncreated, though subject to causes and effects, nonetheless it would still vanish.

Our actions would have consequences on the fabric of the world, but how we feel about that would be up to ourselves alone, because the universe is eternal and mind is only relative. For the latter reason we need not concern ourselves much with our effect on other living beings either.  Then where do human minds get their imagination, in the sense of their fear of death and their instinct for the transcendental, which is supposedly is not a quality, feature or characteristic of mind and therefore ought to be unthinkable? Where does conscience come from?

Connected

You can only begin where you are, but wherever you begin becomes the place where you are. So you can always begin, and this is rebirth.

A method actor tries to be, on screen, the living accumulation of everything his character was doing, all those decades, before being ‘reborn’, in the opening scene of the movie. Every story has a back-story. The back-story has to die, or there can be no story. The back-story dies, and is reborn as the story itself.

 There is always so much weight of back-story that, in a sense, it is more of a story than the real story. The real story is already dead. That is true of every story. But the real story is also now, vitally so, or tomorrow’s real story cannot be born, will be born with severe disabilities, due to malnutrition by its own back-story.

Every story carries a double burden;  the weight of its back-story, and the weight of its pregnancy. It is gravid with its own death, getting ready to give birth to the real story all over again.

So giving birth means giving death. Rebirth means spontaneously accomplishing the preceding death. That means beginning must always be the main practice.

In the house before the house before the house before the house before the house we live in now.

blag pa
to incline one’s ear to, to lend one’s ear, to listen to; ft. of {blag pa}; {blag pa, blags pa, blag pa, bLogs} trans. v.;
bLogs
imp. of {blag pa};
bLogs la
clear mind
— Tibetan-English Dictionary of Buddhist Teaching & Practice,
© 1996 Rangjung Yeshe Translations & Publications in cooperation with the Diamond Way Buddhism Network.

Is there anywhere to go? Is there anyone who is going?